Read e-book online A Wider Trecento: Studies in 13th- and 14th-century European PDF

By Robert Gibbs Louise Bourdua

ISBN-10: 9004210768

ISBN-13: 9789004210769

Julian Gardners preeminent position in British experiences of the artwork of the thirteenth and 14th centuries, fairly the interplay of papal and theological concerns with its construction and on both sides of the Alps, is well known in those reviews by way of his scholars. They talk about Roman works: a Colonna badge in S. Prassede and a remarkably uniform Trinity fresco fragment, in addition to monochrome dado portray as much as Giotto, Duccios representations of proskynesis, a Parisian reliquary in Assisi, Riminese portray for the Franciscans, the tomb of a theologian in Vercelli, Bartolomeo and Jacopino da Reggio, the Room of affection at Sabbionara, the cult of city V in Bologna after 1376, Altichiero and the cult of St James in Padua, the orb of the Wilton Diptych, and Julian Gardners occupation itself.The individuals to the amount are Serena Romano, Jill Bain, Claudia Bolgia, Louise Bourdua, Joanna Cannon, Roberto Cobianchi, Anne Dunlop, Jill Farquhar, Robert Gibbs, Virginia Glenn, Dillian Gordon, John Osborne and Martina Schilling.

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1305, fresco (Alinari/Art Resource, NY). 26 The subdued dado colours and the earthly subjects suggest, by contrast with the full colour glory of the celestial imagery above, the more bleak and diminished nature of human existence prior to the soul’s union with God.  Norman, Metamorphoses of an Allegory: the Iconography of the Psychomachia in Medieval Art, New York, 1988; J. O’Reilly, Studies in the Iconography of the Virtues and Vices in the Middle Ages, New York, 1988. , 1929. Blumenröder, Andrea Mantegna’s Grisaille Paintings, argues that grisaille is usually intended to denote temporal difference, suggesting that Giotto’s use of grisaille is designed to create ‘a set of atemporal figures that balance the time-bound historical action of the narrative scenes’ (44ff).

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Seidel, La scultura lignea di Giovanni Pisano, Florence, 1971, in: The Burlington Magazine 116, 115–6. 1975 W. Sauerländer, Gothic Sculpture in France 1140–1270, London, in: The Burlington Magazine 117, 54–5. F. Neidhart Steigerwald, Das Grabmal Heinrichs des Löwen und Mathildes im Dom zu Braunschweig: eine Studie z. figürlichen Kunst des frühen 13. Jahrhunderts, insbesondere d. bildhauerischen, Braunschweig, 1972, in: The Burlington Magazine 117, 175. 1976 A. Carotti, Gli affreschi della grotta delle fornelle a Calvi Vecchia, Rome, 1974, in: The Burlington Magazine 118, 522.

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A Wider Trecento: Studies in 13th- and 14th-century European Art Presented to Julian Gardner by Robert Gibbs Louise Bourdua


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